MASTER CLASS

CLASSICAL SINGING

2025

13-18.06, STOCKHOLM, SWEDEN

Bromma Folkhögskola


Master class for advanced and professional singers

Master class for young aspiring singers and other experienced soloists.

Fee: 6500 SEK


(Please see master class page for more details!)
Barbro Marklund, mezzo

Sven Kristersson, tenor

Bengt-Åke Lundin, piano

Annelie Korsfeldt, soprano

Michael Engström, piano

Camilla Kandare, Pilates instructor


Open for applications. Deadline 14.04.2025

A cooperation between


BARBRO'S VOCAL STUDIO


Barbro Marklund, mezzosoprano, is one of Scandinavia´s most sought after and experienced singing teachers. Barbro Marklund has worked many years as a Professor of Singing at the Norwegian Academy of Music in Oslo, and she is now Professor Emeritius there. She has also been teaching for many years at the opera academies in Oslo and Stockholm. Private students are coming from many parts of the world to work with her. In December 2006 she was appointed Honorary Professor at the Latvian Academy of Music in Riga.


From 2007 she was employed three years as a singing teacher at the National Opera in Riga for some of their most famous soloists, and she has also been engaged as a vocal coach at the operas in Vilnius and Klaipeda. Barbro Marklund often gives master classes around the world, and she is an active guest professor, member of jury for competitions and member of examination commissions.


2024-2025 she is guest teacher at Stockholm University of Arts for Bachelor and Master opera students.


BARBRO MARKLUND - CV


*Professor Emeritus – Mezzosoprano – Honorary Professor*


Barbro Marklund has worked many years as a Professor of Singing at the Norwegian Academy of Music in Oslo, and she is now Professor Emeritius there. She now teaches privately from her new home in Nacka. She also teaches regularly opera singers at Klaipeda Opera Theatre in Lithuania. She has during many years also taught singing at the Opera Academies in Oslo and in Stockholm.


Singers travel from many parts of the world to work with her, f.ex. Azerbadjan, Belgium, Bella Russia, Canada, China, Croatia, Dubai, Estonia, Great Britain, Finland, France, Germany, Holland, Island, Italy, Japan, Latvia, Lithuania, Norway, Poland, Romania, Russia, Serbia, Slovenia, South Africa, Sweden, Switzerland, Ukraine, USA, etc.  In December 2006 Marklund was appointed Honorary Professor by the Jazeps Vitols Latvian Academy of Music in Riga, Latvia.
From 2007 she was employed three years as a teacher of singing at the Latvian National Opera for some of their most famous soloists, for example Kristine Opolais, Liene Kinca, and Sonora Voice. 

2024-2025 she is guest teacher at Stockholm University of Arts for Bachelor and Master opera students.


After music studies between 1970-1978 and three academic exams from Piteå and Stockholm, Marklund has studied singing and interpretation with following teachers:

  • Erik Saedén, Stockholm
  • Geoffrey Parsons, Vera Rosza, Paul Hamburger, London
  • Gérhard Souzay, Dalton Baldwin, Paris
  • Oren Brown, Lorraine Nubar, USA.


She was much sought-after as a concert singer during 45 years, and has performed in TV and radio in several countries, won prizes and awards and recorded CDs. She is frequently a jury-member, examiner, lecturer, chairman of competitions, guest-teacher, author, and she leads about ten masterclasses per year in different countries.
Marklund has had engagements in countries like Albania, Argentina, Australia, Austria, Belize, Canada, Denmark, Estonia, Finland, Georgia, Germany, Gran Canaria, Great Britain, Holland, Iceland, Italy, Latvia, Lithuania, Malaysia, Mallorca, Norway, Russia, Spain, Sweden and South Africa.


Her repertoire consists of songs for recitals, Lieder, chamber music, song cycles and other pieces for orchestra, oratorios, masses, requiem, opera-arias, religious songs, ensemble repertoire and world premières of contemporary music. She has specialized on repertoire from a wide area and in many different languages, and considered as an expert adviser in various associations.

Marklund has been engaged as a soloist with Gothenburg Symphony Orchestra, Estonia Symphony Orchestra, Guildford Philharmonic Orchestra (London), Gävleborg Symphony Orchestra, Umeå Sinfonietta, Estonian Baroque Strings, Stora Teaterns Orkester (Gothenburg), North Kalotte Symphony Orchestra, Stockholm Youth Symphony Orchestra, Oslo Symphony Orchestra, Norrbotten Chamber Orchestra, Barrat Due Baroque Strings, Ensemble BIT20, and many other chamber orchestras, ensembles, Music Associations and Regional musicians.


Conductors she has got engagements with are for example:
Neeme Järvi, Nicholas Cleobury, Peeter Lilje, András Mihály, Richard Cooke, Mika Eichenholz, Simon Streatfield, Robin Page, Kurt Lewin, Cecilia Rydinger-Alin, Vladimir Matej, Rolf Ericzon, Tomas Rimul, Ole Kristian Ruud, Viesturs Gailis, and many more.

Marklund has performed with very many pianists, mentioning here a few:
Dalton Baldwin, Matti Hirvonen, Sigmund Hjelset, Ivar Anton Waagaard, Patrik Johansson, Thommy Gafvelin, Bjørn WW Jørgensen, Björn Ejdemo, Ulla-Britt Sandlund.


Marklund has for many years been an International Co-ordinator for the Norwegian Voice Teachers Association (NSPF) and the Scandinavian Co-ordinator for the Latvian Association for Voice Teachers (LATS). She has worked as a Vocal Consultant, Vocal Teacher and Casting Director for some Scandinavian Opera projects and as a Project leader and Producer for concert-series and concerts with female composers, f.ex.12 years at the National Library in Oslo.


Between 1990 - 1993 Marklund was a Managing Director for Piteå Music Festival and a Director for Piteå International Summer Academies.
2000 – 2005 she was a board member of Oslo International Church Music Festival.
2002 – 2004 she was the Vice President and International Co-ordinator of European Voice Teachers Association, EVTA, and the Eurovox Congress was realized in Oslo 2003.


More than 150 of her students have been awarded in 60 prestigious competitions in different countries, for example:

Hans Gabor Belwedere Song Competition, Wagner Voices of Bayreuth, Cardiff Singers of the World, "Laurèats HSBC" in Acadèmie Europèenne de musique d’ Aix-en-Provence, Jenny Lind-stipendiet, Queen Sonja International Music Competition, Johann Sebastian Bach Competition, Yamaha Prize, Classic Festival Ruhr European Contest, “Best Contestant” in Grieg Prize, Christina Nilsson stipendiet, RWE-DEAs Culture Prize for Germany, NINA Solo Competition, Pentti Koskimies Competition, Spezialpreis Theater-Academie Wien, INTROklassisk, Svenska Richard Wagnerstiftelsens stipendium, "Best Contestant” in Concours Musica Antiqua, Ingrid Bjoner Prize, Sine Butenschön kulturstipend, De Unges Lindemanpris, Ungdommens Sangmesterskap, Ruud-Wallenberg Prize, Malmö Vocal Competition, Musikaliska Akademiens Stipendium, Musikaliska Akademiens Barockstipendium, NINA Solo Competition, Wilhelm Stenhammar International Music Competition, Prince Eugenes Kulturpris.


Two of her singers have received the very prestigious Statoil Talentstipend of 1.000.000 NOK, approx. 130.000 Euro, Silvia Moi, 2007, and Mari Eriksmoen, 2011. They are the only singers that ever have been awarded this prize.

In the autumn 2015 Marklund started her comprehensive project writing four graded repertoire books, called “Arias for Young Voices”, for soprano, mezzo/alto, tenor and baritone/bass. The project was completed in 2022.

Marklund´s engagements and master classes/teaching have during the last years mostly taken place in Norway, Sweden (Stockholm), Holland (Den Haag), Germany (Karlsruhe), Lithuania (Vilnius Academy, Klaipeda Opera Theatre and Birstonas Summer Academy), Georgia (Tbilisi) and Austria (Vienna).

February/2025

ARIAS FOR YOUNG VOICES

Arias for Young Voices is a new aria anthology - the perfect beginners' aria anthology that provides a complete platform to launch your classical singing studies. Having worked with young and professional voices in many countries for decades, few teachers have a better background for editing such an anthology than Barbro Marklund. The repertoire is selected to develop young voices at ages 16-26.


The standard of the arias is such that they can be performed in auditions, proposed for concert programmes, sung in church concerts, recitals, and of singing competitions and scholarship tests. And, of course, we can perform these arias with pleasure and great satisfaction for the rest of our lives. The repertory expands on the "standard" repertory and includes arias from lesser-known works. Together with suggestions on further repertory from the same composers, this will give young singers a unique possibility to grow their own repertory.


COMMENTARIES: Each aria is accompanied by a short biography about composers and librettists, information about the premiere, vocabulary, voice fach, synopsis and information about act or movement. In addition, you will find useful tips on other roles and arias if you want to continue singing more music by the same composer.


LANGUAGES: All music is presented in its original language: English, German, French, Italian and Latin, Swedish, Norwegian, Russian, Latvian and Czech. All languages are translated into English with full IPA translations.


MUSIC: The range of each aria is noted. The music also has basic chord analysis for the less experienced piano player. The SOPRANO. ALTO & MEZZO, TENOR and BARITONE & BASS editions have now all been published - each consisting of 20 opera arias and 10 sacred arias from the early days of opera to the 21th century.


THE BOOKS CAN BE ORDERED - by writing to B.Marklund at bma@nmh.no or through www.gehrmans.se

Masterclass 2025  - INFO

INTERNATIONAL MASTER CLASS
IN CLASSICAL SINGING 2025
13-18.JUNE

BROMMA FOLKHÖGSKOLA, STOCKHOLM
APPLY HERE (deadline 14.04.25)

Master class for advanced and professional singers

Master class for young aspiring singers and other experiences soloists


PLEASE NOTE that paid accommodation is available. More info lower on the pace!


THE WORKING TEAM 2025

Barbro Marklund, mezzosoprano

Sven Kristersson, tenor

Bengt-Åke Lundin, piano

Annelie Korsfeldt, soprano

Michael Engström, piano

Camilla Kandare, Pilates instructor



AREAS OF COMPETENCE

The goal of the master classes is to give the singers skills not only through vocal technique, but a holistic approach through several key areas, such as:

  • Physical awareness, breath control, support, balance and breath flow, etc. through the training of Pilates.
  • Pedagogic awareness through common warming-up sessions of the voice, the methodology around and analysis of exercises.
  • Theoretical awareness by knowledge about anatomy, physiology and phonetics.
  • Vocal awareness, voice technique, language training, interpretation, aesthetics and improvisation through singing lessons in master class.
  • Stage awareness and communication through master classes and closing concert.


NUMBER OF SINGERS IN THE LARGE GROUP

We offer 10-12 advanced singers a place.

Age: From 20 years and upwards.

Educational requirements: Commenced or completed academic music education, opera school, opera studio, etc. 

Selection: The candidate sends a link with an aria and a song, and a recommendation of the current voice teacher.


NUMBER OF SINGERS IN THE SMALL GROUP

We offer 8 young talented singer or experienced singers a place. Age: From 16 years and upwards.

Educational requirements: Commenced music high school, college or several years as active soloists.

Selection: The candidate sends a link with two songs and a recommendation of the current voice teacher.


TEACHING

All singers get 30min individual instruction per day. All teaching is taking place in an open master class.

The Small Group is taught parallel with masterclasses for the Large Group, but can mornings and evenings participate in all teaching with the more advanced singers. All candidates get additionally training in Pilates, phonetics, methodology, practice, analysis, etc.


REPERTOIRE

The repertoire may be opera arias, church arias, concert arias, songs, Lieder, chansons, cabaret, spiritual songs, folk songs, contemporary works. The Large Group should have at least one song by a contemporary composer in their course repertoire.


LANGUAGE

Song Language may be Swedish, Norwegian, Danish, Finnish, Icelandic, English (Oxford English and American English), German, French, Italian, Spanish, Latvian and Tjeckish.


CONCERT

The master class will end with an open, public concert at Bromma Folkhögskola 


TUITION

Teaching languages can be Swedish, Norwegian, English or German.


COST

Sek. 6500 SEK per active singer Passive listeners are welcome free of charge


PRIVATE LESSONS

Private lessons with Barbro Marklund or Sven Kristersson cost 600 SEK per lesson


ACCOMMODATION

Bromma Folkhögskola (Bromma High School) has a number of simple rooms for rent at the boarding house. Each room has a bed, bedside table, desk, chair, duvet & pillow and wifi. Each room has its own toilet and sink. There are showers in the corridor and a shared kitchen and living room. Sheets are not included but cleaning is included.-

- 350 SEK per night

- 1500 SEK per week (Sun-Sun)

- Book via  anders.mattsson@brommafolkhogskola.se

When using the email-link, SUBJECT is auto-generated. Please give the specific dates for accommodation.



Masterclass 2025  - TEACHERS

Photo: Johannes Sunde

BARBRO MARKLUND - mezzo

Barbro Marklund, mezzosoprano, is one of Scandinavia’s most sought after and experienced singing teachers. For almost three decades she worked as a professor of singing at the Norwegian Academy of Music, where she recently has been appointed Professor Emeritus. She has also for many years taught singers at the opera academies in Oslo and Stockholm, and had private students coming from all over the world. After her extended freelance carrier as a singer, she is still active as a leader of master classes, a jury member and lecturer.

In December 2006, Barbro was appointed Honorary Professor at the Latvian Academy of Music in Riga. She has also for three years worked as a vocal coach for professional opera singers at the Latvian National Opera, and has been engaged as a vocal teacher for the operas in Vilnius and Klaipeda.

Barbro Marklund is well-known for her deep interest in languages, singing technique, exercise analyzes and problem solving, and for her vast knowledge of repertoire from all epochs. She owns a huge private library of music albums, collected from her travels from many parts of the world, and she can correct singers’ pronunciation in 12 languages. She has been a very active guest teacher, chairman and jury member for singing competitions, leader of employment juries for professor and docent positions and for exam commissions in many countries.

In 2015 Barbro started her seven-year research project, with selecting and writing comments about audition arias for each voice fach. The series is called “Arias for Young Voices”, published by Gehrmans Music Publishing in Stockholm. The soprano anthology was released in August 2017 during the international ICVT-congress in Stockholm, the Mezzo/Alto book was presented in September 2020, the Tenor anthology in November 2021, and the Baritone/Bass book was finally releasesd in Oslo May 11th, 2022, completing the series.

From 2022, Barbro Marklund has been teaching from her new home in Nacka in the Stockholm region, starting a private school for advanced singers.


2024-2025 she is guest teacher at Stockholm University of Arts for Bachelor and Master opera students.



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Photo: Håkan Jacobsson

SVEN KRISTERSSON - tenor

Sven Kristersson is a singer, composer and researcher. He is a professor emeritus of singing at the Malmö Academy of Music, with a special focus on vocal chamber music, literary songs and scenic performance. His recordings include 43 Mélodies by Francis Poulenc with lyrics by Guillaume Apollinaire together with pianist Risto Kyrö, and – with pianist Olof Höjer – Wilhelm Müller's and Franz Schubert's Winterreise in his own Swedish translation. He has also translated and recorded songs by John Dowland.

His radio broadcasts include songs by Benjamin Britten and Ture Rangström – with pianists Love Derwinger, and Bengt Forsberg respectively. The majority of these recordings have their roots in artistic research, concerts and performances.


Sven Kristersson views himself not only as an academic researcher, but also as a cricical, popular activist, emphasizing the importance of both an international orientation and in-depth scrutinizing of local and Swedish traditions. He has conducted international artistic exchanges with Brazil and Palestine, Portugal and Norway, but he has also staged Swedish cultural heritage through performances of poet-composers like Birger Sjöberg and Evert Taube. The activist and educational approach is also shown in his moderating of an essayistic series of concerts in Stockholm, on commission of the Royal Swedish Academy of Music.
Sven Kristersson has had numerous missions in Sweden and abroad as an examiner and as an expert in recruitments of teachers and in promotion matters. He is a member of Svenska Visakademien and of the Dorothy Irving Grant's commission.


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BENGT-ÅKE LUNDIN -piano

Bengt-Ake Lundin made his debut in 1989 with the Royal Philharmonic Orchestra in Tchaikovsky's Piano Concerto No. 1, to standing ovations and excellent reviews. He was appointed to the Stockholm Concert Hall's first representative of ECHO's (European Concert Hall Organization) "Rising Star", after which he was invited to give concerts at Carnegie Hall in New York, the Alte Oper in Frankfurt, Cologne Philharmonie, Konzerthaus Vienna, the Concertgebouw in Amsterdam and Birmingham Symphony Hall. He has appeared with all the major orchestras in Sweden and has given both orchestral concerts and solo recitals in the USA, Germany, England, Netherlands, France, Spain, Italy, Switzerland, Austria, Greece, Estonia, Latvia, Egypt and China.

During the 2009/2010 season Bengt-Ake Lundin was soloist in Beethoven's Piano Concerto No. 3 with the Royal Philharmonic Orchestra under the direction of Stéphane Deneve, in Tchaikovsky's Piano Concerto No. 2 with the Altenburg-Gera Symphony Orchestra and Niklas Willén and Tchaikovsky's Piano Concerto No. 1 with the Swedish Radio Symphony Orchestra and Daniel Harding. The 2010/2011 season included the Brahms Piano Concerto No. 2 with the Norddeutsche Philharmonie Rostock and Niklas Willén, and appearances as soloist and accompanist at Mattei in Lulea.

As an avid chamber musician with special interest for lied accompaniment, Bengt-Ake Lundin has performed with several leading Swedish singers such as Peter Mattei, Malena Ernman and Matilda Paulsson. As Artist in Residence at Swedish Radio P2 from 1993 to 1994, he performed a number of works by contemporary Swedish composers, in many cases music composed directly for him. Bengt-Åke Lundin is represented on CD at companies like Naxos, BIS Records, Caprice Records and Phono Suecia, and has beew awarded with Grammy award.


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ANNELIE KORSFELDT - soprano

Annelie Korsfeldt is the founder and artistic director of the Edsbruk Vocal Academy, giving lied courses focusing on Swedish composers. The courses and master classes combine knowledge of repertory with scenic performance. At the final concert all participants contribute with with solo singing and in vocal ensembles. The course is celebrating its tenth anniversary.

Annelie was hired as a chorister in the Radio Choir in 1993. She is also a former member of the Eric Ericson Chamber Choir. With these ensembles Annelie has been traveling around the world. She has often been engaged as a soloist and got to sing music spanning from ancient to contemporary music with several world premieres.

As a freelance singer, assignments have included Saint-Saëns's Christmas Oratorio, Fauré's Requiem, Mozart's Requiem, Stravinsky Les Noces, Haydn Creation, Handel Messiah and others.

For more than 30 years, Annelie has been working as a vocal coach. She has been active on all stages; from small children to adults, in culture schools and parishes. At the moment she is working at Immanuel Music School with adult students in classical repertoire, working closely with church services where students are given the opportunity to sing. Annelie work also a lot with choirs in different churches helping them to develop their vocal work, closely to the choir conductors. Part time she is working with young singers, in other genres like pop, soul, musical and rockmusic in a municipal music school.

After graduating as a singing teacher in 1993 from the School of Music in Piteå Annelie continued her education as a vocal soloist at the Royal College of Music in Stockholm. She has participated in numerous master classes with for example Felicity Palmer, Barbara Hendricks, Dalton Baldwin and Kersti Ståbi. She has great knowledge of repertoire in all voice categories and are constantly seeking new challenges. Interest in the voice and the human behind the voice is her driving force.


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MICHAEL ENGSTRÖM - piano

Michael Engström studied at the Royal Academy of Music in Stockholm. Concert tours have taken him all over Europe, North America and East Asia, and he has participated in several radio and television programs and recordings, including with the Swedish Radio Choir.
In the 90s he worked as a music producer at Swedish Radio P2, but has since returned to working as a pianist and accompanist.

Michael works regularly with the Swedish Radio Choir and the Eric Ericson Chamber Choir and is in frequent demand as a rehearsal pianist and coach with the major institutions in Stockholm as well as for freelance singers.


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CAMILLA KANDARE - Pilates instructor

Camilla Kandare trained as a dancer and dance teacher, specializing in historical dance forms. She graduated from the University College of Dance in Stockholm in 2001 with a degree in dance pedagogy and a specialization in Baroque Dance and has been teaching Baroque dance since then. Camilla continued her studies at the PhD program in Dance History and Theory at the University of California, Riverside, and received her PhD in 2009.
During her years in Los Angeles, Camilla was able to explore many other forms of movement and training. She is a fully certified instructor in Pilates (all levels and equipment, including Pre- and Post Natal Pilates), Yoga (Hatha and Yin), Gyrokinesis, Yamuna Body Rolling, and Garuda. Camilla loves to learn and is frequently attending courses and workshops to expand her repertoire in movement. She has taken longer courses in methods including the Franklin Method, Bones for Life, Anatomy Trains in Motion, and Qigong; and is attending continuing education workshops in Pilates, Yoga, Gyrokinesis, Yamuna Body Rolling, and Garuda in Sweden and abroad on a yearly basis. Camilla has been teaching Pilates since 2005 at venues including Stockholm Pilates Center, Sixth Street Pilates (USA), Axelsons Gymnastiska Institut, Balettakademien, Danscenter, Yogayama and InMo. Camilla's classes are characterized by a calm focus on body awareness, breathing, posture, and presence. She often works with clients coming to her with injuries or long-term pain and is passionate about helping them regain confidence and joy of movement.


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Masterclass 2025  - LOCATION


BROMMA FOLKHÖGSKOLA

Åkeshovsvägen 29
168 39 Bromma

08-636 23 00


info@brommafolkhogskola.se


Masterclass 2025  - APPLY


The masterclasses are held in cooperation with Studieförbundet Bilda (Study Association Bilda) in Stockholm. By applying, you agree that all application information will be shared with Bilda.


FOR APPLICATION, SEND MAIL TO BMA@NMH.NO

SUBJECT: MASTER CLASS 2025

Please write the following information:


  • FIRST NAME:
  • LAST NAME:
  • BIRTH DATE:
  • FULL ADRESS:
  • PLEASE INDICATE WHICH MASTERCLASS:
    - 1: INTERNATIONAL MASTERCLASS FOR ADVANCED SOLOISTS (6500 SEK)
    - 2: MASTERCLASS FOR YOUNG ASPIRING SINGERS AND OTHER SOLOISTS (6500 SEK)
  • PERSONAL NUMBER 10 DIGITS (for Swedish applicants only):
  • PHONE NUMBER:
  • LANGUAGES SPOKEN:
  • EDUCATION:
  • CV & REFERENCES (Please attach as separate pdf file)
  • LINK TO SOUND FILES (Please use links, do not attach sound files)


All fields compulsory, except: only Swedish applicants must supply their personal number (10 digits)

The course fee will be invoiced from Bilda and the invoice will be sent via email to the participants. The invoice must be paid within 14 days.

ACCOMMODATION

Bromma Folkhögskola (Bromma High School) has a number of simple rooms for rent at the boarding house. Each room has a bed, bedside table, desk, chair, duvet & pillow and wifi. Each room has its own toilet and sink. There are showers in the corridor and a shared kitchen and living room. Sheets are not included but cleaning is included.

- 350 SEK per night

- 1500 SEK per week (Sun-Sun)

- Book via anders.mattsson@brommafolkhogskola.se


When using the email-link, SUBJECT is auto-generated. Please give the specific dates for accommodation.
Payment for accommodation comes in addition to - and is paid separately from - the fee for the master classes.